11/6/2023 0 Comments Kan kami japanese![]() If you go into the main hall of Saikan, you can see a sign that says Haguro Sansho Dai Gongen, or the three Gongen (Avatars) of Haguro (referring to the three mountains of Dewa). As luck would have it, some of the temples were repurposed as Shinto Shrines helping avoid destruction, including the Five Story Pagoda, and Kezoin Temple which changed to Saikan. You can see remnants of this time all over the Dewa Sanzan. Where else can I see this on the Dewa Sanzan? Either way, Yamabushi learn from nature by physically placing themselves on the mountains and undertaking various ascetic challenges, then use their acquired skills to help the people. These days the belief behind entering the mountains depends on your denomination, with Shinto Yamabushi believing they can attract the spirits of the Kami gods into their souls. This belief led to the self-mummified monks known as Sokushinbutsu, Living Buddha or Buddha Mummies that trained in the Shingon temples on Mt. The monks who trained to become Sokushinbutsu originally believed that humans are already partly Buddha, and that by training in austerities in the mountains they could attain Buddhahood in the current world. Yudono and it’s sacred object of worship. ![]() Hayama (which represented the pure land of Yakushi Nyorai, Sanskrit Bhaiṣajyaguru) in inland Yamagata Prefecture, were they worthy of visiting Mt. Only after pilgrims had visited the three Dewa Sanzan at the time: Mt. Yudono did however play an important role as the final destination in the pilgrimage of rebirth. Yudono wasn’t officially one of the three Dewa Sanzan, rather it was known as Oku-no-in or the Temple in the Depths, a name which it has kept until today. The famed peak was also an extremely popular destination for domestic pilgrims as home to the sacred object of worship representing rebirth. Yudono was a separate entity and was known as a training ground for monks, including the self-sacrificing Sokushinbutsu Living Buddha or Buddha Mummies. Koya was largely protected from the abolishment of Buddhism at this time thanks to its remote location in the middle of a mountain range. Koya in Wakayama Prefecture, a mountain practically entirely covered in Buddhist artefacts such as temples, lanterns and funeral pyres. ![]() Haguro even had its own pilgrimage of rebirth both for Yamabushi living on the mountain, and those who were brought to the mountains by the Yamabushi. Yudono were almost entirely separate temple complexes. Up until the Meiji Restoration in 1868, Mt. Kan'ami died in Suruga Province.What was the Dewa Sanzan like before then? He trained his son Zeami Motokiyo in his style, and his son eventually succeeded him as director of the Kanze school of Noh. Kan'ami was the first playwright to incorporate the Kusemai song and dance style and Dengaku dances from rustic harvest celebrations. In 1374, the shōgun Ashikaga Yoshimitsu was in the audience of a performance and was so impressed by it that he became Kan'ami's patron. He grew in popularity and began making trips to Kyoto to give performances. The troupe moved to Yamato and formed the Yuzaki theater company, which would become the school of Noh theater. Kan'ami's career began in Obata, Nabari-shi, Mie when he founded a sarugaku theater group in the Kansai region on the main Honshu island. He is the father of the well-known playwright Zeami Motokiyo ( 世阿弥 元清). Born Yūzaki Kiyotsugu ( 結崎 清次) in Iga Province, Kan'ami also went by Miyomaru ( 観世丸) and Kanze Kiyotsugu ( 観世 清次). Kan'ami Kiyotsugu ( 観阿弥 清次, 1333 – June 8, 1384) was a Japanese Noh actor, author, and musician during the Muromachi period. ![]() In this Japanese name, the surname is Kanze and Yūzaki.
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